These are samples of designs I had printed to fabric last year, both created from prints I did. The one on the left was based on a monotype and the one on the right was based on a reduction cut letterpress print. (I used the blue fabric to cover chair cushions on my chair project last year; I called it “Shop Class.”) I photographed the prints for digital files and then used the fabric printing service, “Spoonflower” to print out yardage. The images above are what the samples looked like when I ordered. (I really like the results, but because I could afford to only get a yard of each, I haven’t found anything to do with the fabric, beyond the cushion cover.)
I got to lead a book binding class this last weekend and it was a bunch of fun! I hadn’t done much book-making for some time, so I introduced a few fairly basic styles that can be done at home with no special equipment and with very accessible, inexpensive materials. The participants were game and we all accomplished quite a bit! I introduced them to the proof press, too, so we added another realm of possibilities to the pursuit. And, I got use a lot of my old prints. So, all in all, the participants got a good taste of book art and I got a good reminder of what fun book-making can be and of its potential for art-creation. A good experience on a beautiful weekend!
Here’s some more stuff for paddle fans–this one promotes environmentalism, environmental awareness and climate change awareness. I’m planning on adding another layer of leaves to the foliage and trimming the sheet like the brown one in the upper left. The wooden stick will be the ‘trunk.’ Several of the typefaces I have to choose from are pretty beaten up, but I think that’s okay…it fits in with this message pretty well.
(Also, maybe I should add: the paper is cast offs from a local print shop, most of the sticks are re-used and the ink is hella old…I’m trying to make the most use of materials on hand…)
Hey, here are a couple of t-shirts from one of the participants in the silkscreen t-shirt sesh I held the other day… It was good fun and everyone there seemed to learn something edifying. It was rewarding to see everyone find something that they were interested in trying, and the results, well, they speak for themselves!
I often listen to podcasts while doing rote or simple tasks and this morning, while carving on a linoleum block, I listened to one of my favorites, CounterSpin from Fairness and Accountability in Reporting, or FAIR, @ https://fair.org/counterspin-radio/. The program interviews a lot of sources that do not commonly get approached by corporate media reporters and talks about how corporate media often under- or mis- represent very important issues, policy or cultural trends to the detriment of citizens. The show I listened to today was an interview with Amin Husain, an organizer with the cultural activism group Decolonize This Place. The show’s host and interviewer, Janine Jackson, asks us to consider, “Cultural institutions are important sites of public conversation, but the public doesn’t have much say in who gets to lead that conversation, or the stories they tell. Activists are asking us to talk about what that means, and what it would mean to change it.” Her interview with Amin Husain discusses a lot of good points about colonization, ethnocentrism, wealth and equality. And it poses really important questions about the value of art, as culture, as manifest spirituality and as something that we assign monetary worth. It’s a really good listen, even if you’re not particularly interested in art and museums.
I’ve spent a few hours in the print shop of a local community college and have been, slowly, getting back into the print groove…It’s a very different feel from my woodworking classroom and it’s a real relief to be in a bright, spacious and sawdust-free workspace. It still takes a lot of energy and focus, but the reward is almost immediate and the ink smells like home.
printmaking classroom, press furniture, Challenger letterpresses, Cherokee syllabary type