Once again, one of my favorite radio shows, On the Media, talks about something vital in my world; the other week, it was mass transit and this time, it’s gorgeous, illuminating, exciting art! On their December 21st program, OTM discusses the fabulous Guggenheim exhibit of the mystical work of Hilma af Klint, “Paintings for the Future.” This OTM segment is fascinating and informative about an artist I’d been hearing/seeing things about here and there for a little while–I regularly listen to On the Media, and, amid the expected stories on politics and media, there was this gem! This segment explores not just the art itself, but how it was positioned in history and how it came to be in the Guggenheim. I urge you to listen and be inspired! (The first several minutes of the segment is solicitation of donations, but at about 4 or 4.5 minutes, the segment about af Klint starts.)
1/18/19Hey, here’s another radio show on af Klint! Studio 360(PRI.org) has an exploration of her work and its place in (art) history. It’s a nice piece about the history of af Klint and her work and it also mentions some of the work artists have done in response to her work.
metal shop-collected wild yeast sour dough starter
bread made with metal shop-collected wild yeast sour dough starter
I just saw this review for Gary Alan Fine’s book Talking Art (University of Chicago Press, 2018) on The Chronicle of Higher Education website–I urge anyone who’s interested in arts education, particularly at the college-level, to read it. I know how I feel about my experience at grad school and was interested to come across some critical literature on the process. According to the review linked above, in April, 51 of the 54 graduating MFA students at Columbia confronted the provost to demand that their tuition be refunded because they had not gotten what they were paying for…*
I haven’t read the book, yet; my local library doesn’t have it, but I’ll put in a request at my community college library when the new semester begins. I am convinced that it’s past time to re-configure our higher education system.
*Seriously; $63,961 for one year’s tuition? $63,961 American? When you cannot use the facilities and have no access to instructors? Really?
Artist/activist Shan Goshorn has died and she will be missed. She was a member of the Eastern Band of Cherokee Indians and, although her basket work received a lot of attention, she was an accomplished multi-media artist. I admired her work and her way of being an artist on her own terms.
My intention is to present historical and contemporary issues that continue to be relevant to Indian people today, to a world that still relies on Hollywood as a reliable informant about Indian life.
It was a thrilling accident to discover that the vessel shapes of baskets are a non-threatening vehicle to educate audiences. But even more exciting, I am observing viewers literally leaning into my work, eager to learn more about the history of this country’s First People which can lead to the next wonderful step of engaging in honest dialogue about the issues that still plague Indian people today. America has believed a one-sided history for too long. Acknowledging and addressing these past atrocities is movement towards true racial healing… which has always been the goal of my work as an artist.
These are a couple of calendars I made as examples for a class I’m scheduled to lead: quick intro to letterpress using a calendar format. The images are two-color lino block images printed on half a page, the other half left blank to staple a 12 month calendar to. Left, it’s about 9″ x 12″, right, 11″ x 17″. Then, fold the whole thing in half and slip it into a manilla envelope and mail it off!
Hey all right, I’m almost done with my two required chairs for this semester in my craft woodworking course! I’m just a couple of hours away from sitting down!! (and, boy are my feet tired…) A little more sanding, some glue and a quick coat or two of finish and La Piña is good to go; a little more sanding and some screws in the seat and back (which will rest much higher on the frame) and Shop Class is done. I took it a little slower than I should have, but that said, there was (IS) a lot to learn about the process and there are always going to be some unexpected tasks so this was a fairly slow process. Next chair–much faster!
I designed La Piña myself and I took the design of Shop Class from Design Your Own Craftwork by K. Barkley and W.E. Brooke, a 1969 book on making your own furniture. Love it! The fabric is commercially printed (right, below)(Spoonflower is a wonderful resource!) from a monotype (left) I made several years ago. I think it’s a perfect upholstery fabric–curtains for the living room, too–and I am gratified to see my art in a form that will be used daily.
This is fabric designed by me and produced by SpoonFlower fabric printing.
These are the things I worked on today in my woodworking class: Yet another acorn! I finished it by drilling a 5/16ths hole in it, which really seemed like a beauty mark, or a dimple–it really amped up the appeal! Super cute! On the right is a self-portrait; I gave myself 30 minutes to create a piece with just glue (and a little sanding) and here is the result. Me! On the lower left are the main components of “La Piña,” my pineapple-inspired chair. Actually, aside from some sanding and waving stuff around, I did most of the work on the not-shown (and unlikely to be seen much when finished) supporting structure…that’s still on my bench. I was a little disappointed in my accomplishments today, but looking at this, I have to think, not bad.
This is my current work space, at least some of it. I do a lot of work at the kitchen table, the sketching, the carving, the laying out, etc, but the inking and printing I do on these mobile carts. The inking cart is a rolling delight I designed and built in my woodworking course and my little press is currently resting on a metal tool cart I got a few years ago and have since dedicated to printmaking. The shelving on the right is half storage and half art supplies; I often use the top shelves for drying prints. I can roll the carts into the kitchen when I start getting sloppy and when I’m done, I can roll them back into a corner of our small living room (which is actually devoted to storage and studio space). The setup is imperfect, but it works.
==>I really enjoy looking at other peoples’ workspace–I happened across the site Hyperallergic and their occasional entry “A View From the Easel.” It’s helpful to see how other people find ways to be be successful in seemingly less-than-ideal spaces.