It’s the craft sale time of year again and I’m slowly doing my part: I’ve dug up some cover material I’d cut years ago, when I had access to some serious cutting tools, and pulled out some misprints that I think look good, despite their imperfections, and I’m putting some blank books together. I’m planning on a few coptic-stitch books and maybe a stab binding or two. We’ll see.
1/16/2020 Hey! There’s a good interview with Elinor Carucci on TheGuardian.com site about her photo work regarding late middle age. She and Ann Neumann discuss some of the (unsurprising) issues women encounter as they age and how her images examine her (rockin’!) aging body…I can totally relate to the picture of her lying in the snow–ha!–and to some of the other things she brings up, especially since I have had so much trouble getting people in the art world to even acknowledge how older women are marginalized. A good read and some good art.
Here’s work from a ‘foto album’ I’ve done recently about aging and the language people are starting to use towards and around me, cuz they’re not seeing me, lots. When someone does notice me, it is not in response to the persona I strive to project into the world, but rather, it is as a thing apart, “an old.” I do not recognize this “other,” this irrelevant shell. I keep looking for what so many others see: my new old identity.
More paddle fans, while it’s still hot! I’m making these for a new local “Climate Action Coalition.” There’s going to be another layer, of leaf veins and the name of the group and then, I’ll fold them over and glue them with the handle. These are for an event in a few weeks. This tulip poplar leaf block is from a project I never quite finished a few years ago, but it’s perfect for this application–the group is promoting the health of the mountains where I’m living right now and tulip poplars are abundant here, and their leaves are truly unique and aesthetically interesting. I think they’re a good motif for the cause and provide a lot of graphic possibilities. Also, I think it’s a great poster, as is! ha!
leaf fan detail
Here’s the layer of leaf veins–I think it’ll look cute when it’s folded over and the stick handle suggests a larger vein. I still have to fit the org’s name on here.
I got to lead a book binding class this last weekend and it was a bunch of fun! I hadn’t done much book-making for some time, so I introduced a few fairly basic styles that can be done at home with no special equipment and with very accessible, inexpensive materials. The participants were game and we all accomplished quite a bit! I introduced them to the proof press, too, so we added another realm of possibilities to the pursuit. And, I got use a lot of my old prints. So, all in all, the participants got a good taste of book art and I got a good reminder of what fun book-making can be and of its potential for art-creation. A good experience on a beautiful weekend!
Here’s some more stuff for paddle fans–this one promotes environmentalism, environmental awareness and climate change awareness. I’m planning on adding another layer of leaves to the foliage and trimming the sheet like the brown one in the upper left. The wooden stick will be the ‘trunk.’ Several of the typefaces I have to choose from are pretty beaten up, but I think that’s okay…it fits in with this message pretty well.
(Also, maybe I should add: the paper is cast offs from a local print shop, most of the sticks are re-used and the ink is hella old…I’m trying to make the most use of materials on hand…)
Here it is, “bust/Old Man Face,” and I’m pretty pleased with the results. My registration is spot-on about 90% of the time, which is fabu, at least for me, and I got some good subtlety in the colors. I will frame a couple of them and then prolly trim down the others for book cover material for a book binding class I’m scheduled to instruct next month. Sweet!
Here are the prints as I worked on them: On the upper left is the first layer of this reduction cut (or, the second layer on some prints where I printed the inked-up block as a background, first). Next, is the 2nd layer and, because I’m trying to learn from my mistakes, the registration is much better (so far) than on other recent projects. I experimented with transparent colors on this to see what kind of effects I can get. Second row left is the result of an application of a transparent yellow; it’s a little hard to see, but there is a clear layer of gloss apparent. Finally, I put on one more layer of transparent color. Look what happened! It’s a layer of transparent purple over the transparent yellow–I love it! I’m hyped. And, amped.
I spent a bunch of time in the printshop yesterday (yay!) and finished up the printing on my next set of paddle fans, “Pyramid of Power.” I made them with cutoffs from the local university’s print shop; the shop is always happy to give stuff away rather than to pulp it. This coated card stock works great for fanning and picked up the ink pretty well. Clearly, the type I have access to is pretty beat up, but it’s working well for my intent. I’m now looking for some American flag stickers to put in the lower right hand corner to fill that empty space. These are for the Fourth of July, but are also for every day that citizens need encouragement to believe that we have what it takes to make the nation of our ideals.
This is the image I practiced with yesterday on the proof press. The one on the left is good (!) and was what I was going for. But, as the other two prints show, I still need more practice: The middle one isn’t the worst one I did, but I think a sloppy insert to the clamp before rolling skewed it just enough to preclude a clean print. The one on the right was even more sloppy, but I trimmed off the edges so some of the ‘slide’ is gone and I think is less obvious. It’ll be a postcard, so that’s okay. Then, since I had the ink on the rollers, I made a couple of postcards:
Okay, I know these fotos are sub-par in quality, but they do show what I was trying out yesterday in the printshop. I applied the last two layers of ink, an opaque light blue and finally, a dark blue. The image on the left is what I was starting with, the yellow and green (which was actually a layer of transparent blue) inks, and the image in the center is close to what I had planned in the first place, with the colors I was interested in and the use of/practice with opaque and transparent inks and, mostly, registration. This print is the second-best version of this plan and it’s clear I didn’t get it perfect. sad. The print on the right is pretty cool-looking, but not what I’d planned. A couple of things I do realize after this project: I should consistently use good quality printing paper; I think that my too-varied variety (lots of construction paper of different qualities and some very nice printing paper) precluded my getting just one good registration position because some of the paper stretched (I think) and messed me up. etc… Another thing is that I should prepare for the project much more thoroughly, from start to finish. Seems obvious, right? Well, I’ll try. Anyway, I’m still pretty tickled, but I know I have a ways to go before I’m satisfied…