I belong to a local coalition that has organized to take actions to help mitigate climate change and one of my ‘actions’ is to make postcards. The cards are printed with a distinct design so eventually someone at the legislators’ offices will notice that there are loads of cards from one group–they’ll see that we’re paying attention. The cards are pre-addressed so people won’t have the excuse of having to dig up the addresses so they’ll put off sending them. (Of course, they have to buy stamps…) I have gotten my cast off, but I’m still a little slow so I’m not as productive as I’d like. But, I should get back to the shop this week and will get back to it! Drop by drop…
1/16/2020 Hey! There’s a good interview with Elinor Carucci on TheGuardian.com site about her photo work regarding late middle age. She and Ann Neumann discuss some of the (unsurprising) issues women encounter as they age and how her images examine her (rockin’!) aging body…I can totally relate to the picture of her lying in the snow–ha!–and to some of the other things she brings up, especially since I have had so much trouble getting people in the art world to even acknowledge how older women are marginalized. A good read and some good art.
12/6/19 Hey! I just another article about ageism and sexism in the workplace: Washington Post article, “Administrative assistant jobs helped propel many women into the middle class. Now they’re disappearing” Yup, older women are effed in this culture and this economy.
Here’s work from a ‘foto album’ I’ve done recently about aging and the language people are starting to use towards and around me, cuz they’re not seeing me, lots. When someone does notice me, it is not in response to the persona I strive to project into the world, but rather, it is as a thing apart, “an old.” I do not recognize this “other,” this irrelevant shell. I keep looking for what so many others see: my new old identity.
Here are the fans, glued up and ready to be of use (and, it’s still pretty hot, despite the calendar). These are for an event planned for this next week of global climate actions.
More paddle fans, while it’s still hot! I’m making these for a new local “Climate Action Coalition.” There’s going to be another layer, of leaf veins and the name of the group and then, I’ll fold them over and glue them with the handle. These are for an event in a few weeks. This tulip poplar leaf block is from a project I never quite finished a few years ago, but it’s perfect for this application–the group is promoting the health of the mountains where I’m living right now and tulip poplars are abundant here, and their leaves are truly unique and aesthetically interesting. I think they’re a good motif for the cause and provide a lot of graphic possibilities. Also, I think it’s a great poster, as is! ha!
Here’s the layer of leaf veins–I think it’ll look cute when it’s folded over and the stick handle suggests a larger vein. I still have to fit the org’s name on here.
These are samples of designs I had printed to fabric last year, both created from prints I did. The one on the left was based on a monotype and the one on the right was based on a reduction cut letterpress print. (I used the blue fabric to cover chair cushions on my chair project last year; I called it “Shop Class.”) I photographed the prints for digital files and then used the fabric printing service, “Spoonflower” to print out yardage. The images above are what the samples looked like when I ordered. (I really like the results, but because I could afford to only get a yard of each, I haven’t found anything to do with the fabric, beyond the cushion cover.)
Here are some of the prints from my time in the shop yesterday. The night before, I had quickly grabbed some cardboard and various papers, carved some designs and glued it all up; my design is all experimentation for practice. I hadn’t done any collagraphs since my BFA education, so it had been about eight years since I’d inked up a plate like this. Yikes, it takes some time and lots of attention to get the desired results. (Also, this shop isn’t really set up for this kind of printing, so I had to do some improvising–it all worked out, though.) I’m not entirely satisfied with the prints, but it started to feel familiar again and I’m going to try again, soon.
Here’s some more stuff for paddle fans–this one promotes environmentalism, environmental awareness and climate change awareness. I’m planning on adding another layer of leaves to the foliage and trimming the sheet like the brown one in the upper left. The wooden stick will be the ‘trunk.’ Several of the typefaces I have to choose from are pretty beaten up, but I think that’s okay…it fits in with this message pretty well.
(Also, maybe I should add: the paper is cast offs from a local print shop, most of the sticks are re-used and the ink is hella old…I’m trying to make the most use of materials on hand…)
Here it is, “bust/Old Man Face,” and I’m pretty pleased with the results. My registration is spot-on about 90% of the time, which is fabu, at least for me, and I got some good subtlety in the colors. I will frame a couple of them and then prolly trim down the others for book cover material for a book binding class I’m scheduled to instruct next month. Sweet!
Here are the prints as I worked on them: On the upper left is the first layer of this reduction cut (or, the second layer on some prints where I printed the inked-up block as a background, first). Next, is the 2nd layer and, because I’m trying to learn from my mistakes, the registration is much better (so far) than on other recent projects. I experimented with transparent colors on this to see what kind of effects I can get. Second row left is the result of an application of a transparent yellow; it’s a little hard to see, but there is a clear layer of gloss apparent. Finally, I put on one more layer of transparent color. Look what happened! It’s a layer of transparent purple over the transparent yellow–I love it! I’m hyped. And, amped.