This is my current work space, at least some of it. I do a lot of work at the kitchen table, the sketching, the carving, the laying out, etc, but the inking and printing I do on these mobile carts. The inking cart is a rolling delight I designed and built in my woodworking course and my little press is currently resting on a metal tool cart I got a few years ago and have since dedicated to printmaking. The shelving on the right is half storage and half art supplies; I often use the top shelves for drying prints. I can roll the carts into the kitchen when I start getting sloppy and when I’m done, I can roll them back into a corner of our small living room (which is actually devoted to storage and studio space). The setup is imperfect, but it works.
==>I really enjoy looking at other peoples’ workspace–I happened across the site Hyperallergic and their occasional entry “A View From the Easel.” It’s helpful to see how other people find ways to be be successful in seemingly less-than-ideal spaces.
I’ve got another layer of color to add and some trimming to do and then, postcards. And, a change of palette! These cards have used up the last of my old ink remnants and I’m looking forward to some blues and bright greens!
Here’s my response to the lovely poppies crowding my tomato plant–a t-shirt! I did a quick stencil screen print and hope it’s dry enough to wear to my woodworking class tomorrow. (The shirt is from the thrift and I made the stencil from some old cut-price Contact paper. Worked okay.)
Where I am here and now is pretty nice, but: I’d love to be slopping it up in a bunch of ink (or pulp!) in a cooperative art space with a bunch of like-minded associates in the service of art for all! This above is a picture of Taller Leñateros in San Cristóbal de las Casas, Chiapas México (2009), a wonderful print and paper-making cooperative workshop.
This was the letterpress studio of an acquaintance of mine where I spent a lot of time learning about printmaking and learning about art. Although I would not use the term “beloved” to describe this place, I do feel an enduring affection for the old press, the uneven floor and the inky atmosphere. The time I spent alone there, happily working and teaching myself, made a difference in my life and I treasure the memories.
This is a print, seen elsewhere on this site sans frame, that displays a sense of being “weathered.” I really love the worn-out look; it reminds me of the stuff that hung in offices where my parents and their friends worked (back in the 1960s, 70s). The old frame is ‘reclaimed’ (clean and tightened, etc) from a thrift store–it fits the print, I think.
Artist Trading Cards, summer 2017
hosted by: https://jenniferhinesart.wordpress.com/artist-trading-cards/
This was a neat project–it was fun limiting myself to such a small format–and I intend to do it again and even host an exchange, myself.