Here’s my table, just about ready to roll on home!
In a coincidence, this week’s “On the Media” (radio program from WNYC) is all about public transit and how our lives/living environments are designed by/for car use (and presumed car use), just at the moment I’ve decided to present among my artfolios images from my MFA Thesis show, “Points of Interest,” an installation to promote the bus system in the city where I was attending university. Many of the issues discussed in the OTM segments are issues and ideas I thought about, researched and discussed with my Thesis committee. Although I did not address every one of these issues in my project, I did read, listen and watch a lot of materials about these things. This topic is vital to social and environmental justice and I’m gratified to hear this week’s program.
I am still digging up images, etc, for the POI artfolio page, so it’ll be complete in the next week or two.
Hey all right, I’m almost done with my two required chairs for this semester in my craft woodworking course! I’m just a couple of hours away from sitting down!! (and, boy are my feet tired…) A little more sanding, some glue and a quick coat or two of finish and La Piña is good to go; a little more sanding and some screws in the seat and back (which will rest much higher on the frame) and Shop Class is done. I took it a little slower than I should have, but that said, there was (IS) a lot to learn about the process and there are always going to be some unexpected tasks so this was a fairly slow process. Next chair–much faster!
I designed La Piña myself and I took the design of Shop Class from Design Your Own Craftwork by K. Barkley and W.E. Brooke, a 1969 book on making your own furniture. Love it! The fabric is commercially printed (right, below) (Spoonflower is a wonderful resource!) from a monotype (left) I made several years ago. I think it’s a perfect upholstery fabric–curtains for the living room, too–and I am gratified to see my art in a form that will be used daily.
Actually, neither of these is quite done, but in the next two weeks, they should be ready for some action. The one on the left, “La Piña,” just needs some more sanding (I’ve been giving it some dimension by carving and sanding “leaves” on the back), some staining and some fastening down. The other chair is also nearly done; staining, some final sanding, leg leveling and then the padded seat and back, which I will cover with fabric commercially printed from an old monotype I did.
Rapist and the Raped 2011; wood, paint, screws, glue
An interesting article from the NYT: Female Artists Delete Rape’s ‘Heroic’ Underpinnings, written by Jillian Steinhauer, 10/16/2018
These are the things I worked on today in my woodworking class: Yet another acorn! I finished it by drilling a 5/16ths hole in it, which really seemed like a beauty mark, or a dimple–it really amped up the appeal! Super cute! On the right is a self-portrait; I gave myself 30 minutes to create a piece with just glue (and a little sanding) and here is the result. Me! On the lower left are the main components of “La Piña,” my pineapple-inspired chair. Actually, aside from some sanding and waving stuff around, I did most of the work on the not-shown (and unlikely to be seen much when finished) supporting structure…that’s still on my bench. I was a little disappointed in my accomplishments today, but looking at this, I have to think, not bad.
Here’s a twisty self-portrait I made with jute and a silkscreened muslin. It’s a wearable piece of art; I would squirm into it and swing it around through the air, completing the piece.
This is a picture of grass I grew in the art gallery during the course of an exhibit I was in. When the show was over, I couldn’t bring myself to just toss out the grass, so I put it, and the little plaster houses (the small white forms in the grass), out in the metal yard outside the metal shop at the university. That little green patch was bright and vividly beautiful among the pieces of metal debris, cigarette butts and old pallets…an unlikely spot for signs of tender natural life.
These beautiful clamps present gorgeous repetition and variation in our woodshop. Their design is economical and strictly utilitarian; they are beautiful and useful, as singular objects and in the numbers hanging off of racks in the shop.