These beautiful clamps present gorgeous repetition and variation in our woodshop. Their design is economical and strictly utilitarian; they are beautiful and useful, as singular objects and in the numbers hanging off of racks in the shop.
This is a print, seen elsewhere on this site sans frame, that displays a sense of being “weathered.” I really love the worn-out look; it reminds me of the stuff that hung in offices where my parents and their friends worked (back in the 1960s, 70s). The old frame is ‘reclaimed’ (clean and tightened, etc) from a thrift store–it fits the print, I think.
Not Printmaking! Deeply imperfect but satisfying, this is my first piece of furniture! It’s a magazine rack of sorts for the top of a bookshelf I have. I learned a lot doing this, from drawing up plans to how you can (almost) never do too much sanding. A good and educational experiment!
I was in the Atlanta area yesterday (for a NM green chile roast–Go Lobos!!) and as I walked around the neighborhood, centered around Decatur Square (old courthouse, bus municipal terminal, funky shops, etc), I came across this crosswalk treatment and was delighted! Not a typically pedestrian treatment. It is part of a project that replaced several old brick crosswalks with this colored thermoplastic–it’s easy to look up and will be an edifying search. The other picture is of a typical crosswalk on our way home, through Duluth, GA. This certainly is more typical of the pedestrian experience everywhere I’ve been. The flowered crosswalk shows that there are other possibilities.
I love the physicality of printmaking and the various techniques, inks and tools involved. I also love that one can do printmaking with just a few very simple things and a little space. The photo below shows how impromptu a print sesh can be–this is the second layer of ink and about a week away from moving out.