October, 2018, USA
October, 2018, USA
This is my current work space, at least some of it. I do a lot of work at the kitchen table, the sketching, the carving, the laying out, etc, but the inking and printing I do on these mobile carts. The inking cart is a rolling delight I designed and built in my woodworking course and my little press is currently resting on a metal tool cart I got a few years ago and have since dedicated to printmaking. The shelving on the right is half storage and half art supplies; I often use the top shelves for drying prints. I can roll the carts into the kitchen when I start getting sloppy and when I’m done, I can roll them back into a corner of our small living room (which is actually devoted to storage and studio space). The setup is imperfect, but it works.
==>I really enjoy looking at other peoples’ workspace–I happened across the site Hyperallergic and their occasional entry “A View From the Easel.” It’s helpful to see how other people find ways to be be successful in seemingly less-than-ideal spaces.
These are my ATCs for the next event. Five layers of ink on most of them. ATCs are super-cool and I’m hoping to do more soon!
I’ve got another layer of color to add and some trimming to do and then, postcards. And, a change of palette! These cards have used up the last of my old ink remnants and I’m looking forward to some blues and bright greens!
Here’s the tofu press I made during my summer woodworking class, in use. I made tofu for the first time this morning! I was successful, but I’ll do an even better (and neater) job next time. It is delicious! And, my little press came through like a pro. Yay!
Here’s my response to the lovely poppies crowding my tomato plant–a t-shirt! I did a quick stencil screen print and hope it’s dry enough to wear to my woodworking class tomorrow. (The shirt is from the thrift and I made the stencil from some old cut-price Contact paper. Worked okay.)
This picture was taken at Taller Leñateros in San Cristóbal de las Casas, Chiapas México in 2009 (I think). (their website: http://www.tallerlenateros.com/) This funky contraption is used to break down pulp to make paper. This image tells a story of ingenuity and invention in the service of printmaking/papermaking. It also hints at the kind of community and ethos Taller Leñateros enjoys and promotes; resourcefulness, creativity, humor and cooperation. If you’re ever in the wonderful city of San Cristóbal, visit!
These beautiful clamps present gorgeous repetition and variation in our woodshop. Their design is economical and strictly utilitarian; they are beautiful and useful, as singular objects and in the numbers hanging off of racks in the shop.
I love the physicality of printmaking and the various techniques, inks and tools involved. I also love that one can do printmaking with just a few very simple things and a little space. The photo below shows how impromptu a print sesh can be–this is the second layer of ink and about a week away from moving out.
Artist Trading Cards, summer 2017
This was a neat project–it was fun limiting myself to such a small format–and I intend to do it again and even host an exchange, myself.