I belong to a local coalition that has organized to take actions to help mitigate climate change and one of my ‘actions’ is to make postcards. The cards are printed with a distinct design so eventually someone at the legislators’ offices will notice that there are loads of cards from one group–they’ll see that we’re paying attention. The cards are pre-addressed so people won’t have the excuse of having to dig up the addresses so they’ll put off sending them. (Of course, they have to buy stamps…) I have gotten my cast off, but I’m still a little slow so I’m not as productive as I’d like. But, I should get back to the shop this week and will get back to it! Drop by drop…
approximately 10 feet long and 2.25 feet wide, muslin, starch, beeswax, linen thread, wood strips, etching ink, glue
One of my favorite pieces…
These are from a small collection of experiments that I’ve had draped around my studio/living room for a couple of years now. I vow to continue work on them this month, at least; I can’t quite bring myself to make a resolution to finish. ha. I really like the direction they’re going, but I can ruin them with the wrong next move. That’s probably kept me from resolving the design these last couple of years. Okay, so what–it’s just art, I’ll beast it and whatever the result, I’ll have learned something. Rock on, 2020!!!
It’s the craft sale time of year again and I’m slowly doing my part: I’ve dug up some cover material I’d cut years ago, when I had access to some serious cutting tools, and pulled out some misprints that I think look good, despite their imperfections, and I’m putting some blank books together. I’m planning on a few coptic-stitch books and maybe a stab binding or two. We’ll see.
1/16/2020 Hey! There’s a good interview with Elinor Carucci on TheGuardian.com site about her photo work regarding late middle age. She and Ann Neumann discuss some of the (unsurprising) issues women encounter as they age and how her images examine her (rockin’!) aging body…I can totally relate to the picture of her lying in the snow–ha!–and to some of the other things she brings up, especially since I have had so much trouble getting people in the art world to even acknowledge how older women are marginalized. A good read and some good art.
12/6/19 Hey! I just another article about ageism and sexism in the workplace: Washington Post article, “Administrative assistant jobs helped propel many women into the middle class. Now they’re disappearing” Yup, older women are effed in this culture and this economy.
Here’s work from a ‘foto album’ I’ve done recently about aging and the language people are starting to use towards and around me, cuz they’re not seeing me, lots. When someone does notice me, it is not in response to the persona I strive to project into the world, but rather, it is as a thing apart, “an old.” I do not recognize this “other,” this irrelevant shell. I keep looking for what so many others see: my new old identity.
Here are the fans, glued up and ready to be of use (and, it’s still pretty hot, despite the calendar). These are for an event planned for this next week of global climate actions.
More paddle fans, while it’s still hot! I’m making these for a new local “Climate Action Coalition.” There’s going to be another layer, of leaf veins and the name of the group and then, I’ll fold them over and glue them with the handle. These are for an event in a few weeks. This tulip poplar leaf block is from a project I never quite finished a few years ago, but it’s perfect for this application–the group is promoting the health of the mountains where I’m living right now and tulip poplars are abundant here, and their leaves are truly unique and aesthetically interesting. I think they’re a good motif for the cause and provide a lot of graphic possibilities. Also, I think it’s a great poster, as is! ha!
Here’s the layer of leaf veins–I think it’ll look cute when it’s folded over and the stick handle suggests a larger vein. I still have to fit the org’s name on here.
These are samples of designs I had printed to fabric last year, both created from prints I did. The one on the left was based on a monotype and the one on the right was based on a reduction cut letterpress print. (I used the blue fabric to cover chair cushions on my chair project last year; I called it “Shop Class.”) I photographed the prints for digital files and then used the fabric printing service, “Spoonflower” to print out yardage. The images above are what the samples looked like when I ordered. (I really like the results, but because I could afford to only get a yard of each, I haven’t found anything to do with the fabric, beyond the cushion cover.)
Here are some of the prints from my time in the shop yesterday. The night before, I had quickly grabbed some cardboard and various papers, carved some designs and glued it all up; my design is all experimentation for practice. I hadn’t done any collagraphs since my BFA education, so it had been about eight years since I’d inked up a plate like this. Yikes, it takes some time and lots of attention to get the desired results. (Also, this shop isn’t really set up for this kind of printing, so I had to do some improvising–it all worked out, though.) I’m not entirely satisfied with the prints, but it started to feel familiar again and I’m going to try again, soon.
I got to lead a book binding class this last weekend and it was a bunch of fun! I hadn’t done much book-making for some time, so I introduced a few fairly basic styles that can be done at home with no special equipment and with very accessible, inexpensive materials. The participants were game and we all accomplished quite a bit! I introduced them to the proof press, too, so we added another realm of possibilities to the pursuit. And, I got use a lot of my old prints. So, all in all, the participants got a good taste of book art and I got a good reminder of what fun book-making can be and of its potential for art-creation. A good experience on a beautiful weekend!